Art And Craft In Punjab

Take as simple a thing as mud for example. Plastering the walls with mud and drawing ferns, plants, several other fascinating motifs has been a way of life of the woman of Punjab. They have also been making paper mache utencils for storing house hold necessities in colourful designs for a long time past, out of a paste made by mixing paper and various kinds of earth. A few decades ago, Sarcanda, a kind of tough; thick elastic grass used to grow in plenty at places which have now come under the plough. Out of this grass roofs of all sizes (which provided air conditioning) were fashioned in circular shapes. After shaving, thin straws of this grass were woven into beautiful carpets and curtains. Another useful household contrivance called Chhaj in Punjabi was manufactured out of sarcanda which is used for separating edible stuff from .the grain. Screens, used as a parting between wheat and hay, for instance, were also woven from this stuff. Baskets used for keeping haber dasbery (pins, cotton, buttons, needles, threads) in different shapes and colours and covers were contrived by young girls by using shaved sarcanda and coloured cotton thread which were taken by them as a part of dowry. In Punjabi these are called katnees.

Art is described as a creation or expression of something beautiful especially in a visual form and Arts and Crafts as a phrase means decorative designs and handicrafts. In this field, also, Punjab has the hoary and distinguished tradition which its people have maintained in spite of vicissitudes of time.
Punjabi (Tyari ho gayi patolaya teri katni nu phul lag gaye) Arrangement for you have been made O beautiful one-Katni has now blossomed forth.

The shavings of sarcanda chicks and coloured cotton threads were also used to weave Chiks, Bohiey, Pitarian, (useful household articles) and kind of chairs called Moorras. Brushes for white washing were also made by hands out of munjhs. Although these crafts of Punjab are not yet completely forgotten, yet they are moving fast towards fading out.

Weaving of Durries (cotton bed or floor spreads) in myriad motifes and designs especially by young girls in the villages has been a long tradition in Punjab. These are also woven in stripes, cheek boards, squares, motifs of birds, animals and even plants as a part of dowry. Needle work of Punjab is unique, it has beautiful names because of its associations with beautiful aspects of life and the beautiful designs which the dextrous fingers of Punjab-s proverbially beautiful women create have such a wealth of forms and motifs that they defy enumeration. Some of these are called Baghs, literally a garden, Phulkaris, literally flower work, rummals, scarfs. The patterns of needle work done on the bed spreads, chunnis, dupattas (these are head covers) and shirts and Salvars, are still different. Needle work on phulkaris is done on a deep coloured cotton cloth with striking silk threads. The threads is pierced upwards from underneath the cloth into free-hand motifs, while in the Baghs and Rummals such cloth is worked on the top side only. These were traditionally used for wear but now are exported as wall hangings and sewn as jackets etc. Punjabi hands fans like the Japenese are almost typical and their leaves are made in much the same way as phulkaris etc. are made. The shoes made in different parts of Punjab out of self lured leather have different traditions. Light shoes were considered the best and to explain this aspect the cobblers used to say that even the sparrows can fly with them. Earlier shoes which have come to be known as Punjabi Juttis throughout the world were embroidered with gold and silver wires all over in different patterns covering every parts of the pair so that it looked as if it was made of solid gold and silver. Now even when golden and silver threads are used to embroider these shoes, the quality of these world famous shoes is still maintained.

The wood work of Punjab has also been traditionally famous. Artistic beds with comfortable, skillfully made, back rests fitted with mirrors and carved colourful legs called Pawas, low seats called Peeras, Peerian were made by carpenters in almost every village. Their skill has passed into folk songs (Raati rondi da bhij gaya Ial bhangoora) weeping last night my red Swing became drenched. Furniture designed in Punjab and boxes, toys and decorative pieces made out of wood are exported. In giving lacqueur finish to wood crafts, in adorning it with coloured mirror and in engraving wood, inlaying ivory (now white plastic only) the workmen of Punjab have been renowned.

The onslaught of high technology is putting a premium on the arts and crafts in the modern era and it will require special efforts to preserve them for posterity.

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